
December 7, 2007. Guy Ritchie won my attention and affection for SNATCH and LOCK, STOCK AND TWO SMOKING BARRELS. REVOLVER is clearly, and perhaps unfortunately, different than those movies. The comparisons to USUAL SUSPECTS and FIGHT CLUB are
de rigueur but fail to capture the spirit of any of the three films. While it is easy to see how some people might fail to appreciate the narration, I found it engaging in the same way that I like
Deckard’s voice in BLADE RUNNER. It is not an accident that it is a movie about a con and it feels like you are being setup. “In every game and con there is always an opponent and there is always a victim, the trick is to know when you are the later so you can become the former.” The simple con, like three-card Monte, and unpretentious slight of hand magic, both require distractions and accomplices. “The opponent simply distracts the victim by getting them consumed with their own consumption.” Revolver has both of these ingredients in spades. The revenge elements are reminiscent of The Count of Monte
Cristo. The editing, especially the action scenes, which are delightfully plentiful, is energetic and engaging. Ray
Liotta, the casino owner and antagonist, is brave for his weeping demand for respect, wardrobe choices and blue tinted sequences. As a long time player, I enjoyed the use of chess as a metaphor for war and life. The visual sequences of the chess games were among my favorite. “You can only get smarter by playing a smarter opponent.” “You do all the hard work and I just help you along. The art is for me to feed pieces to you and make you believe that you took those pieces because you’re smarter and I am dumber.” The animated sequences were interesting but did not appreciably add to the narrative. One dominant theme is that every man is his own worst enemy. “Every man has a weakness.” “Use your perceived enemy to destroy your real enemy.” The theme of greed is reinforced with opulent backgrounds, massive
frescoes, bags of cash, huge stacks of casino chips and suitcases of assorted currency. The 13
th floor dialogue explores inner voices, internal dialogue and William James’ many selves. “You heard the voice for so long that you believe it to be you.” “The greatest trick that he ever pulled was making you believe that he is you.” “The bigger the trick and the older the trick, the easier it is to pull.” http://www.imdb.com/title/tt0365686/